The origin of Reading culture
Since childhood, I’ve had a deep passion for reading, especially books about history and influential figures from Vietnam and around the world. Each book I picked up was filled with stories of individuals who changed the course of history, from national heroes like Tran Hung Dao and Le Loi to renowned world leaders like Napoleon and Gandhi. I was fascinated by their lives, battles, remarkable achievements, and the profound philosophies they left behind. Each story provided me with a fresh perspective on history, culture, and the formation of nations. This passion for history went beyond reading and gradually led me to explore and delve deeper into the unique cultural aspects of Vietnam. I started to realize that both historical figures and the cultural and artistic values of Vietnam held within them invaluable stories. This realization marked the beginning of my journey to explore traditional cultural heritage, from folk literature and songs to vibrant traditional paintings.
My passion for reading and uncovering stories and knowledge within each page sparked my curiosity about Vietnamese culture, particularly the traditions of the Lunar New Year. I am captivated by the significance of Tet customs, from the ancestral altar and New Year's Eve rituals to the practices of exchanging New Year greetings and giving lucky money. By exploring the culture of Tet, I hope not only to gain a deeper understanding of the beauty of these traditions but also to feel a stronger connection to my cultural heritage.
From Vietnamese culture to Dong Ho Paintings
Among these cultural treasures, Dong Ho paintings—a unique form of Vietnamese folk art—captivated me the moment I first saw them. These paintings, with their bright colors and simple yet meaningful motifs, reflect the daily life and optimistic spirit of the Vietnamese people. I began researching the history of this genre, discovering how the craftsmen of Dong Ho village in Bac Ninh used Do paper, natural plant-based colors, and traditional wood carving techniques to create artworks that embody the spirit of the Vietnamese countryside.
After immersing myself in the history, I wanted more than just theoretical knowledge—I wanted hands-on experience. I had the chance to visit Dong Ho village, meet veteran artisans, and listen to the stories behind each painting. I witnessed the entire creation process firsthand, from preparing the Do paper and mixing natural colors to carving woodblocks and printing. These experiences not only deepened my understanding of the techniques but also allowed me to feel the artisans' passion and dedication to preserving traditional art.
